Friday 30 May 2014

Compassionate Fatigue

Knowing the name for what it is that is wrong with you doesn't always make things easier, it seems.

It also seems like I'm about to fizzle out into oblivion like I always thought I wouldn't but feared I might, because the effects of media consumption have been made more manifest in my day to day life than all that I learned about in my 3 years of undergraduate studies.

Let me explain...

Between deadlines, other headlines and worrying about family and friends back home, I absentmindedly participated in online campaigns for the #BringBackOurGirls movement that seemed to seize social media near the end of April. Retweeting, reblogging, liking and sharing, but rarely ever engaging, barely discussing, hardly understanding, never questioning, not writing and knowing fully well that I'd be 'over it' soon. And so would the rest of the world.

Now as a Nigerian in diaspora, my first reaction was that it must be as a result of being removed from the situation. If I was back home, in the thick of it, perhaps I would have been more engaged with the situation. I had to cut short that train of thought, because though it rang true it provided no solutions for my current dilemma. So what if I am removed from the situation? It is the very nature of things that I'll find myself removed from much of what is considered breaking news at any given time. But as a journalist, in fact as global citizens, it is of utmost importance and with increasing urgency that we should find ways in which to engage with issues in our world, regardless of how otherly or remote they may seem. In reality these situations affect us all. Whether we choose to admit it or not doesn't change that simple fact.

Standing now at the precipice of the month and looking back, I realise that there is much I have failed to engage with, even though I was aware:

There are many more examples I could give of my attention deficiency. It isn't a recent phenom and I know it doesn't stop with me.

This is where 3 years of journalism and communications studies comes into play. I remember a tutor using the phrase 'compassionate fatigue' to describe the world's reaction to violence and bad news in the press. We have become so used to seeing all these things happen that we sort of switch off to it. This isn't merely suspension of disbelief. We know that it's real and it is happening. But it happened yesterday, and the day before that. It'll happen tomorrow again, maybe somewhere closer or further away. There is nothing new about the news anymore. On the rare occasion that something does capture our attention, we lose interest quickly and substitute reality with mind numbing television. Anything to escape the truth of the world around us.

Unfortunately globalisation is upon us and the world will suffocate you so snap out of it. There is no running away from reality. Our world is getting smaller and smaller for many different reasons.

So maybe you don't care about what's going on in Pakistan but the girl in your economics class does because those are her people. And maybe a bunch of missing girls don't bug you but your Nigerian boyfriend can't get them off his mind. Perhaps women's rights has never been a topic of interest, but your best friend could have been Elliot Rodger's victim. It might be that religion is something you'd rather not discuss or debate, yet Meriam Yahia Ibrahim had to give birth in jail. What do you care about protests in Brazil? You just want to see some football! You don't care, but your Brazilian neighbours just might.

Tuesday 13 May 2014

SNAP! | Red Orange Photography

Koko: The man himself.
I remember, even on his last birthday before leaving Dubai, Koko was somewhere in the corner of the room taking more pictures of his guests than he was interacting with them. Yet when he did join in, his sense of humour would keep the party alive. But for the most part, he hid behind the camera, documenting moments with a glint in his eye and mischief in his smile. He says of his first experiences behind a camera, “I decided to start taking my passion more seriously because I realised that once I held a camera in my hand, I felt invincible. I decided that I needed a camera of my own and dedicated my pocket money over the next four months to it”.



Dubai Marina.

Branding: the Red Orange Photography logo.
For all my teasing I never felt comfortable referring to him as an ‘amateur’ photographer. His passion for the arts developed from a young age as he followed in the steps of his mother, an arts and crafts teacher. Although he was aware that his strength did not lie in drawing, his love for the arts stayed with him even when technology became his new found passion: “it was expected that I would follow in my mum's footsteps but that all changed the day I first saw a computer”. He wanted something that bridged both his passions together. Thankfully he found just what he was looking for: “with the advancement of technology and the introduction of the digital age [of photography] my midpoint had been found; arts through the digital camera. That’s how Red Orange Photography was born, an idea with no name, business place or equipment. Red Orange Photography is driven by two major forces: the love for art and the creation of that art via a digital means”.

The diverse brand covers weddings and events.
Red Orange Photography is actually a subcategory of Red Orange Media, the parent company. However, Koko officially began his journey with Red Orange Photography just over a year ago. Eventually “Red Orange Media will diversify into other fields including corporate branding, identity creation, IT solutions and graphics designs”. Regardless of his passion and talent, he recognised that the standards of his work in the early stages did not match that of his peers. “I decided to get formal training from one of the best photographers in Nigeria, Mr. Shola Animashaun”. He explained that his mentor has been one of the most inspiring and life changing people he has had the pleasure of working with in relation to Red Orange Photography. After improving his skills, he was able to make his dream a reality. His researched showed that he would find a niche in the Nigerian market where he has established his brand: “Red Orange Photography majors in wedding, event and documentary photography and from our market survey we discovered that the area (State/City) we intended to set up had little or none of this style of photography, so this was perfect for us”.
Culture: Red Orange Photography is based in Uyo, a popular cultural hub in Nigeria.
Koko cannot underestimate the impact of social media on Red Orange Photography’s rapid growth. He understands the role that social media has played in raising awareness and providing information about the brand. “We have made clients from different parts of the country and world. Through social media platforms like Facebook, Twitter and Instagram, our clients and prospective clients can view our creations from anywhere in the world and contact us accordingly”. This is undoubtedly useful for him as he has every intention of expanding the scope of Red Orange Photography and Red Orange Media beyond Nigeria.

Calabar Jazz Festival 2014: Kunle Ayo & Asa
Koko’s main goals are simple: “to be one of the most recognized photography and media outfit in the world and to take at least one amazing picture in every continent of the world”. And of course to take an official picture of the Queen of England!

To find out more about Koko's journey with Red Orange Photography, follow the brand on
Instagram: @redorangephotography